Deaths behind bars

Rise in custodial deaths besmirches India's human rights record

It is sometimes hard to digest the fact that a peace-loving nation like India can be so unkind and cruel to its own prison population. It is indeed hypocritical for a nation to espouse the virtues of being kind and forgiving and yet mete out the exact opposite qualities to those spending time in its prison cells. Statistics bear out this grim reality. In the decade during 2000-2010, more than 14,000 deaths in police custody and in prisons have been reported, according to the National Human Rights Commission. The NHRC records further reveal of 417 casualties in police custody and 4,285 casualties in judicial custody over the last 3 years. Also, the NHRC has recorded endless cases of torture and sexual harassment – 1,899 torture and sexual harassment cases in police custody and 75 alleged cases of rape by police personnel over the past 3 years. Among Indian states, Assam tops the list of being home to such alleged mishandlings and custodial deaths, a fact that has been admitted even by the National Crime Records Bureau (NCRB) in its official statement.

The shielding of errant policemen by their political masters is one of the reasons encouraging this trend of rising police atrocity towards prisoners. To prevent this malignancy from spreading further India should not only ratify the UN convention against torture it should also become a signatory to the treaty. Being clubbed with the violent autocratic states of sub-Saharan Africa, like Comoros and Guinea-Bissau, which too have not ratified the UN convention, damages India's reputation of being a nation that cherishes the civic freedom of its citizens. The reason for India's recalcitrance in signing the convention is hard to comprehend, but it's probably due to the reservation of state governments, especially in strife torn areas, that has inhibited India from giving its assent.

But the lack of a substantial anti-torture law allows the misuse of state machinery and violates the rights of victims. A strong reform against human rights violation, complying with UN guidelines, must oversee government functioning over prisons.

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Source : IIPM Editorial, 2013.
An Initiative of IIPM, Malay Chaudhuri

and Arindam Chaudhuri (Renowned Management Guru and Economist).

For More IIPM Info, Visit below mentioned IIPM articles

IIPM’s Management Consulting Arm-Planman Consulting
Professor Arindam Chaudhuri – A Man For The Society….
IIPM: Indian Institute of Planning and Management
IIPM makes business education truly global
Management Guru Arindam Chaudhuri
Rajita Chaudhuri-The New Age Woman

ExecutiveMBA

Some Like It...Chilled!!

Monojit Lahiri examines the reason behind Bollywood’s – and audiences – new fascination for the Horror Film!
MONOJIT LAHIRI | Issue Dated: June 21, 2013, New Delhi
Tags : Bollywood | Horror films | Bees Saal Baad | Gumnaan | Ramsay Brothers | Raaz | Darna Zaroori Hai |


Close your eyes and go back to your childhood – a winter night securely tucked in bed with cuddly warm blankets, one small bed lamp and your favourite grandmom narrating a ghost story that sent shivers of excitement and fear of the unknown that still stays with you! Why? What is it about the ghost story, the paranormal and the horror tale that is so seductive, enticing and thrillingly scary that its an all-consuming virus?  Irrespective of age, gender or social strata, this brand remains a matchless, unbeatable must-hear/read/watch!

In Bollywood, the horror film has mostly been a sub-brand/genre, receiving neither the attention nor the respect given to other mainstream fare.  It was a niche category for a niche audience, sometimes cutting loose to register a big success.  Film historians believe that the 1949 Ashok Kumar-Madhubala starrer Mahal was the first really scary movie emerging from Bollywood.  Other super-duper successes between the 40’s and the 60’s include Bees Saal Baad, Gumnaam and Bhoot Bangla.  In the 70’s Ramsay Brothers – who were to own this space – unleashed Do Guz Zameen Ke Neeche.  Raj Kumar Kohli swooped in, blending horror with fantasy with Nagin and later Jaani Dushman. Darwaza, Jaadu Tona, Aur Kaun, Saboot, Gehraiyee, Red Rose, Guest House followed.  The 80’s came with their own horror stories – Ramsay Brothers’ Puraana, Saamri, Veerana, Tahkhana, Dak Bangla, Puraani Haveli, Shaitan Ilaaka, Bandh Darwaza.  Interestingly the products of the 80’s relied less on ghosts and more on titillating/sex scenes.

In Hollywood, Psycho, The Omen, The Exorcist, The Shining were big-time chiller-thrillers along with hit TV American shows like The Vampire Dairies, True Blood, Fear Files and Haunted Nights, categorically proving that there is a huge vacant spot in our psyche that is reserved for cinematic encounters of the spooky kind!  In other words, paying money to be terrified is the name of the game!

What do these movies – and genre – offer that is so special and unique?  Psychologists insist that it has to do largely with the aphrodisiac called fear!  They believe it is about making forays into our curiosity about the unknown which has always been a territory where trespassers can enter only at their own risk.  This fear makes them uneasy and on the edge and this sparks the excitement!  Its like a roller-coaster ride, a terrifying scream-fest that you wouldn’t miss for anything, right?  Its like that indescribable anticipatory build-up to that ‘bang’ moment that you are so desperate to experience, when buying the ticket to the film.  Iconic storyteller of this genre, Stephen King, believes that “horror movies provide psychic relief because outright madness is extended so rarely to us.”  Closer home, psychiatrist Dr. Harish Shetty reckons “the grotesque fantasy of a human being is entwined with his vicarious pleasures and then the visuals and sound effects all put together results in a heart-pounding suspense that is irresistible – be it a TV show or movie.”

In year 2013, while we are continents away from the Ramsay brand – dilapidated, haunted mansions, creaking doors, spider webs and eerie background score –sophisticated and new-age updates in this genre keep haunting us!  Some recent examples are Ragini MMS (inspired by the 2007 American supernatural horror film Paranormal Activity) which went down so well with audiences that it reportedly recovered its costs within two days of its release!  Haunted (a 3D horror film), Ram Gopal Verma’s Bhoot, Kaal, 13B, Bipasha-starrer Raaz, Verma’s Darna Zaroori Hai and later Darling followed.  Very recently, the Nitin Mukesh-Sonal Chauhan starrer 3G, Bipasha-Nawaz Siddiqui starrer Aatma and Ek Thi Daayan have joined the list.

When you pull back and see the big picture, you realise that this genre is definitely an idea whose time has come. Bollywood is forever looking for new buttons to push, cash cows to milk and themes to invade that get the moolah. 

Read more......

Source : IIPM Editorial, 2013.
An Initiative of IIPM, Malay Chaudhuri

and Arindam Chaudhuri (Renowned Management Guru and Economist).

For More IIPM Info, Visit below mentioned IIPM articles

IIPM’s Management Consulting Arm-Planman Consulting
Professor Arindam Chaudhuri – A Man For The Society….
IIPM: Indian Institute of Planning and Management
IIPM makes business education truly global
Management Guru Arindam Chaudhuri
Rajita Chaudhuri-The New Age Woman

ExecutiveMBA

Does watching phoren serials instead of desi ones make you feel superior

Monojit Lahiri probes this seldom-discussed English–Vinglish issue.

“Angrez gaye lekin lakhon chamche chodh gaye!” lamented a colleague’s wife recently. When pressed to elaborate on this broadside, she responded with disturbing enthusiasm.  “Bhai, aisa hai, despite the Brits leaving India over six decades ago, uska imperial and feudal impact abtak raha. Fair n’ lovely rules through the assertion of the angrezi language in business, industry, trade and commerce and Corporate India, and the fascination for phoren/phirang models is clearly visible in every area of influence. We can keep yelling about how the ‘phir bhi dil hai Hindustani’ template has never been stronger, but fact is, in places where it counts, English and the phoren influence definitely counts. Ek (how do I explain) subliminal, unspoken but easily transmitted signal of superiority is flashed”. Our blank faces prompted her to focus on the specific reference to context.  “Take TV serials. Today the Hindi serials – Balika Vadhu, Uttaran, Bade Achhe Lagte Hain, Madhubala, Na Bole Tum Na Maine Kuch Kaha are hugely popular across all strata of viewers, especially womenfolk.  However, there remains a distinct group of people – my college going kids included – who may not blatantly laugh or mock this content, but definitely consider it vernace, low-brow, populist and un-cool. ‘Oh god, Mom, how can you bear this crap, with its corny, gharelu melodramatic twists and turns and those over-dressed behenji-types going on and on and on’ is what my daughter  - once  in half amused / exasperated tones – blurted out. I had no answer but to weakly smile… and continue watching.”

The lady’s comment touched a chord and struck a spark. Wasn’t this true of everything connected with one class of people in India?  Bollywood and Hinglish advertising booming is all very well as is the pride and assertion of your national language and mother tongue, but somewhere, the angrez chhaap still does hold its own, six decades after the phirangs were handed their hats and walking sticks and shown the door, right? “Absolutely true! I completely understand the lady’s predicament simply because my nephews and nieces are always making fun of me watching those ghatia Hindi and Bengali serials”, admits 40-year-old, Kolkata-based housewife Alpana Sen. Sen goes on to say that since she lives in a joint family in North Kolkata, she vastly enjoys the world that these serials flesh out in the company of her mom-in-law, army of sisters-in-law and servants. The timings of these serials – in terms of day and schedule – are sacrosanct and nothing and nobody can come between her and those characters during those magic hours! “My nephews and nieces watch those weird English programmes like Friends, Everybody Loves Raymond, Two and a Half Men, Dexter… and beg me to join them. I tried but, frankly, couldn’t understand a word of what they were saying while these kids were doubling up with laughter! Am I a desi ganwaar or are these kids totally westernised and disconnected from basic Indian reality?”  20-year-old Varun Khanna, however, doesn’t agree. The Mumbai-based college kid reckons it’s a clear question of choices. “I come from a middle class Punjabi home. My dad works in a multi-national bank while my mom is a housewife. My paternal grandparents stay with us, so we are pretty grounded and traditional … and hey, despite being a Mumbaikar, my Punjabi is not bad.  However, these TV serials really get me! I don’t know what my mom and grandmom (poor Dadaji is also often forced to join them) see in those crazy programmes.  So corny, unreal and regressive! The ones my pals and I love, like Friends and Two and a Half Men are really ‘wow’!”  Varun is quite cool (although not overtly crazy) about Bollywood stuff, but prefers angrezi fare anyday.  “It’s not about snobbery or feeling superior, but tastes and liking, I guess. I can’t bear to sit through that stuff that mom and dadi so thoroughly enjoy for more than, like, two minutes.”

Fact is, it’s not value-judgment, but many things that are at play here. For one segment, the angrezi chhaap does spell superiority, whether you like it or not. Be honest… in a social gathering, office meeting, club, party or even your home, doesn’t a firang’s presence make a difference? When he/she places a hand on your shoulders, converses with warmth and interest, embraces or shakes your hand before leaving (or is Mmmuaah!) with promises of meeting again – doesn’t it make you feel real good and special?  Also (touch your heart before admitting), doesn’t it psychologically make you feel superior and don’t your friends suddenly look at you with envy and admiration?  Chill, because it’s natural. To most middle-aged (forty plus) middle-class Indians, this social intercourse will be special because of the neo-colonial mindset and conditioning as also the rarity of these interactions. After all it’s not like meeting a Chaddha, Singh, Subramanian, Chatterjee, Khan, Kapoor, Khanna, Saxena or Mahapatra, is it?  To women, it’s likely to have a greater impact. “My NGO activities connect me with lots of foreigners, many of whom come across for a meal or coffee.  My kitty party friends can’t make up their minds between being bitchy and catty or doubly cute to grab an opportunity of an intro to them. Complex to hundred percent hai! explains Delhi-based Parul Agnihotri, aged 42. For the Friends/Raymond new-age gen, children of a globalised, liberated and consumer-driven India, however, there is little awe but lots of immediate and appreciative connect. They embrace this new age with no baggage and hence are free from the shackles of complex, intimidation or pressure. Siliguri or Sydney, Jamshedpur or Joburg, Madurai or Manhattan, Lucknow or London, kids appear to be more open and cool to a globalised space and subsequently less hung-up or obsessed with things desi. A direct result of this is their close connect with things phoren and distancing from the world of Indian TV serials. Explains Social Commentator Deep Sanghvi with superb analytical insight, “It’s not about for or against a certain kind of content and nor is it about superiority and inferiority. It’s simply a generational thing, born out of the milieu and environment one grew up in. Research has indicated that the remote of the TV in Indian households is invariably glued to the hands of the (housewife, ma-in-law, aunt) women.  Now, since most need to chill once the chores are done, what better than enter the world of the multi-layered serial, which is cleverly and strategically programmed to play to the gallery.  Do they give a damn about the snooty brown saabs who pooh-poohs their programmes?  Not one bit because zillions (in whichever part of the world these serials play) wait with breathless expectations each day/night as the amazing, viewer-friendly stories, characters and situations unfold as only they can! As for the other lot – the vocal, anglicised minority – two things happen. For the older lot, it is usually an affectation, a fake posturing to indicate their affinity to the West, be indulgent and patronizing to local stuff and hope that this projects them in a slightly different or hatke superior way than the hoi polloi. Mostly it falls flat because phonies are usually caught out soon enough!  The Gen Next have never expressed their superiority angle while staying away from their mom’s beloved weepies. They have only indicated – with varying degrees of emphasis – their complete disconnect and dislike of the material.  That’s it!”

Read more.....

Source : IIPM Editorial, 2013.
An Initiative of IIPM, Malay Chaudhuri

and Arindam Chaudhuri (Renowned Management Guru and Economist).

For More IIPM Info, Visit below mentioned IIPM articles

IIPM’s Management Consulting Arm-Planman Consulting
Professor Arindam Chaudhuri – A Man For The Society….
IIPM: Indian Institute of Planning and Management
IIPM makes business education truly global
Management Guru Arindam Chaudhuri
Rajita Chaudhuri-The New Age Woman

ExecutiveMBA

Book Review: Ghana Must Go

‘Afropolitan’ triumph

If one looks at the trends in the last few years, Taiye Selasi probably had the biggest hype surrounding a new unpublished author. Biggest, if you discount the brief debacle that happened with Kaavya Viswanathan and her How Opal Mehta Got Kissed, Got Wild, and Got a Life.

Some time in 2005, this British born, half-Ghanian half-Nigerian caught the attention of American literature circles when she came out with her stunning essay, “What Is An Afropolitan?”. Not now, but in years to come, this essay of hers that breaks the stereotype of African immigrants and breaks open a hitherto less known world of educated, sophisticated and upwardly mobile Africans, will be considered a definitive piece of writing on the topic. She followed this with an equally impressive short fiction, The Sex Lives of African Girls, that made it to The Best American Short Stories last year.

Considering this, it was not surprising that Selasi managed to bag the kind of hype that she got. Mentored by none other than Toni Morrison herself, she also managed to get an advance approval by Salman Rushdie and cover blurbs by Teju Cole and Penelope Lively. Add to this the overlaying themes of immigration, sexual awakening, death and bigotry. Therefore, when the novel actually came for review, there was a certain level of expectation that preceded it. And let me add here that debut writers often get crushed by such expectations. But not Selasi.

Named after the Nigerian rhetoric directed at Ghanaian refugees during the upheaval years of the 80s, Ghana Must Go is the story of an American doctor of Ghanian origin and his family. Or rather, the disintegration of his family.

The book opens with readers suddenly thrown into the scene where gifted surgeon Kweku Sai drops dead in his lawn in Accra. What we know at this point of time is that Kweku Sai is married twice and is living with his second wife when he drops dead. We also know that the house inside which he drops dead has been designed by him after he left America in shame. Everything else has been left open. And that’s quite a wholesome.

The major portion of the narrative is shaped up through the preparations for Kweku’s funeral. One by one, his progeny, four of them and all grown-up, receive the news of his death and so does his first wife, his love. The family is exceptionally talented but almost dysfunctional with kids spread over both the sides of the Atlantic and hardly talking to each other. However, for once, they decide to gather in Accra for the surgeon’s funeral. After this, the novel works in a flashback where every character is revealed through its strengths and vulnerabilities. It is at this point that different themes come into play.

Selasi successfully plays with the sense organs and uses vivid imagery to arrest the readers. It leaves a stunning impact initially but starts to drag halfway through the novel. Too much time is spent on every character and its thought process. That is not to suggest that the characters are weak. But beyond a point, it starts to appear a tad stretched. Alliteration has been used liberally. The style was apt for poetry, especially in the late 19th and early 20th century. But its use in prose has remained limited and at the sidelines. The readers here will have a taxing time going through this. Especially when one starts feeling that the narrative has suddenly dried up somewhere. The story not only lose coherence but does so rather badly.

But it is at this point that Selasi regains her composure and so do the readers. In an intervention that appears sudden yet not jarring, Selasi uses the gift of her skills to bring the story back to track. And by the time the story ends, the readers inadvertently make themselves part of that dysfunctional family. And the best part is, Selasi does not use cheap stunts to achieve this. There is no jarring climax. No revelation that shakes things up. Years of restricted emotions flow freely. But it has been handled tactfully, and more importantly tastefully. 

In fact, it is the final 30 pages of Ghana Must Go that firmly separate this novel from the usual mom-daddy-cousin kinds of novel that debutant Indian writers, mostly of the Ivy League make, come up with these days. Selasi’s story is also about a family. But it is in her treatment of the content that the strength of this novel lies.

Read more....

Source : IIPM Editorial, 2013.
An Initiative of IIPM, Malay Chaudhuri

and Arindam Chaudhuri (Renowned Management Guru and Economist).

For More IIPM Info, Visit below mentioned IIPM articles

2012 : DNA National B-School Survey 2012
Ranked 1st in International Exposure (ahead of all the IIMs)
Ranked 6th Overall
Zee Business Best B-School Survey 2012
Prof. Arindam Chaudhuri’s Session at IMA Indore
IIPM IN FINANCIAL TIMES, UK. FEATURE OF THE WEEK
IIPM strong hold on Placement : 10000 Students Placed in last 5 year

BBA Management Education

Vulnerable India!

India needs to act decisively to save its tourism industry

The “Incredible India” campaign did a magnificent job of making India the cynosure of global tourists' eyes. India became a hot destination for foreign tourists over the last decade. As per India's Tourism Ministry, the country attracted a record number of overseas visitors, around 6.6 million in 2012. The footfalls helped the country earn $17.74 billion in foreign exchange. However, the  increasing number of sexual crimes against women have adversely affected the country's tourism potential. Many countries have issued advisories, warning their citizens against visiting India. The Indian government has dismissed such warnings as knee-jerk reactions but the number of visitors  have been going down.

India’s tourism took a heavy knock when a young woman was brutally gang raped in the capital in December last year. The incident ignited  national outrage and hogged media limelight worldwide. Even before the dust had settled down, a Swiss tourist, who was on a cycling trip to India along with her husband, was waylaid and raped in Madhya Pradesh on March 15. Another British tourist jumped out of her hotel room window to escape sexual harassment in Agra. Consequently, the number of foreigners travelling to India has dropped significantly. A study conducted by ASSOCHAM has found that  foreign tourist arrivals plunged by 25 per cent  between January and March. The number of women tourists has shown a significant dip, declining 35 per cent since the Delhi incident was reported.

The government has sorely been found wanting in correcting India's perceptions abroad in the aftermath of such incidents. This kind of cavalier attitude could cost India's tourism industry dearly. The travel and tourism sector alone contributed 6.4 per cent to India’s GDP in 2011 (amounting to Rs. 6.7 billion) as per the World Travel & Tourism Council.

Read more.....

Source : IIPM Editorial, 2013.
An Initiative of IIPM, Malay Chaudhuri

and Arindam Chaudhuri (Renowned Management Guru and Economist).

For More IIPM Info, Visit below mentioned IIPM articles

2012 : DNA National B-School Survey 2012
Ranked 1st in International Exposure (ahead of all the IIMs)
Ranked 6th Overall
Zee Business Best B-School Survey 2012
Prof. Arindam Chaudhuri’s Session at IMA Indore
IIPM IN FINANCIAL TIMES, UK. FEATURE OF THE WEEK
IIPM strong hold on Placement : 10000 Students Placed in last 5 year

BBA Management Education

Where are 'organised' helps?

Housemaids should come under an organised workforce

Housemaids are in demand everywhere. Supply has also grown at a fast clip, keeping up with rapid urbanisation and migration. However, despite domestic help service being a vital part of ‘home-economics’, no much heed has been paid to organise this sector and safeguard the interests of workers.

Countries in Latin America, the Caribbeans and Africa have included domestic workers under ‘general workers’ category. This way they have brought them under legislation that promises equal rights, bonuses, weekly-offs, and minimum wage rates. For instance, in Brazil, domestic workers are hired through registered contracts and enjoy minimum wages, paid-leaves, weekly offs and come under the purview of legislation meant for conventional workers. However, such a move is still due in India. They are still not considered as ‘waged workers’; in fact, they are degraded as mere servants (read: slaves). In Hong Kong, Fei Yeung is the term used to represent this particular class of workers.

Leave aside providing these workers with legislation that would make their life easier and recognise the value of their work in National Accounting, domestic workers are not even covered for prevention of exploitation of migrant workers and under the Protection of Women Against Sexual Harassment at Workplace Bill, 2010! However, a few states (like Maharashtra and Tamil Nadu) have framed policies to address the grievances of housemaids, but no such laws are available at the national level. Some other states like Kerala, Andhra Pradesh, and Rajasthan have enacted the Minimum Wage Act For Domestic Workers to protect their rights for a minimum pay and for maintaining their dignity.

Read more.....

Source : IIPM Editorial, 2013.
An Initiative of IIPM, Malay Chaudhuri

and Arindam Chaudhuri (Renowned Management Guru and Economist).

For More IIPM Info, Visit below mentioned IIPM articles

2012 : DNA National B-School Survey 2012
Ranked 1st in International Exposure (ahead of all the IIMs)
Ranked 6th Overall
Zee Business Best B-School Survey 2012
Prof. Arindam Chaudhuri’s Session at IMA Indore
IIPM IN FINANCIAL TIMES, UK. FEATURE OF THE WEEK
IIPM strong hold on Placement : 10000 Students Placed in last 5 year

BBA Management Education

Book Review: Island Of A Thousand Mirrors

The detritus of conflict

It is said that the only good byproduct that any conflict brings is good literature. In fact the relationship between conflict and art goes back to the days of antiquity. Who could have imagined  ‘The Persians’ had Xerxes not attacked Greece, or ‘Iliad’ and ‘Odyssey’ without the Trojan War. In the near past, and way closer, Pakistani writers made their mark in the literary landscape when everything else was going wrong inside their country. Under the circumstances, one always wondered why Sri Lanka, which saw its own share of blood and carnage for close to three decades, did not come up with quality work in English language. There were a few attempts here and there but a majority of them were written more for the purpose of furthering the “cause”, both among Sinhalese and Tamils, than offering readers a window into the world of common Sri Lankans and their miseries. Nayomi Munaweera’s debut novel, Island of a Thousand Mirrors, does that and then some.

Set in Sri Lanka and spanning almost three generations, Island of a Thousand Mirrors tells the story of two Sinhalese girls and their family’s struggle to remain afloat amidst upheaval. In the parallel runs the story of another girl, a Tamil, whose fate gets entwined with that of the Sinhalese girls in more ways than one.

Written in the style of a bildungsroman, the book traces the journey of Sinhalese sisters Yasodhara and Lanka and in the process weaves a saga of love, betrayal, self-exile and redemption. The story starts with the births of girls’ parents just around the time British decided to leave the island for good. The respective families could not have been more different. While their father, son of a low-caste Ayurveda doctor who successfully changed his surname to bag an upper-caste girl, raised the status of his family by sheer hard work; the family on their mother’s side, a typical aristocrat Brown Sahib household, had fallen on bad times after the sudden demise of the patriarch. And hence the matrimony that could not have even been thought of a couple of years ago, actually materialized.

And while they are at it, the churning in the North begins. The rise of LTTE, the digging in of heels by the Sinhalese dominated government and the meddling by a larger, bullying neighbor in the North had already prepared the concoction of death and destruction. On a more micro level, the unraveling of the fabric is explained through the situation of their Tamil tenants, members of which become the love interest of the Sinhalese girls across the generations. When violence knocks on their door, rather literally, the girls’ family migrates to the United States leaving behind the mayhem, and memories in the process.

Years later, when betrayal and infidelity bring the girls back to where it all started, they also pick up the thread of the Tamil family that was left during the sudden flight.

On the other hand, the story of Saraswathi, a violated Tamil teenager who joins the Tigers, helps readers take a peep inside life in the north and east of the Island. At the end, when their fate entwines, one is left stunned in more ways than one.
      
Like any great state-of-the-nation novel, one of the strengths of this book lies in the way it seamlessly deals with myriad themes that run parallel to the dominant theme of conflict. In the process, readers not only get a loose idea of how the history of the island has shaped up since the British left it in 1948, but also how a conflict that could have been resolved easily in the initial years, was allowed to fester in order to massage the majority Sinhalese ego. 

However, the biggest strength of this book lies in the way the author rises above ethnic biases to present a picture of conflict that is not burdened by the efforts to look good and unblemished. Nayomi Munaweera is clearly from that painfully small school of intellectuals who believe that any long-lasting process of reconciliation must first start with the admission of complicity in crime. There is no tacit, sly effort to sound politically correct. No compulsion to “balance” the narrative of the conflict in a David versus Goliath mismatch. But that not to say that David here is let off the hook. He is also brought to question. But nothing is disproportionate.

Island of a Thousand Mirrors is an inherently honest attempt to put things in the perspective. Having covered the conflict myself and witnessed how divisive and full of visceral hatred the narrative is, I have no doubt that Ms Munaweera will receive more brickbats than bouquets. Especially from the rabid non-residents from both ethnic groups who have successfully hijacked the narrative. But if Ms Munaweera calculated that and yet decided to write this; she sure as hell is prepared for a long haul.

Read more......

Source : IIPM Editorial, 2013.
An Initiative of IIPM, Malay Chaudhuri

and Arindam Chaudhuri (Renowned Management Guru and Economist).

For More IIPM Info, Visit below mentioned IIPM articles

2012 : DNA National B-School Survey 2012
Ranked 1st in International Exposure (ahead of all the IIMs)
Ranked 6th Overall
Zee Business Best B-School Survey 2012
Prof. Arindam Chaudhuri’s Session at IMA Indore
IIPM IN FINANCIAL TIMES, UK. FEATURE OF THE WEEK
IIPM strong hold on Placement : 10000 Students Placed in last 5 year

BBA Management Education