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It is said that the only good byproduct that any conflict brings is good literature. In fact the relationship between conflict and art goes back to the days of antiquity. Who could have imagined ‘The Persians’ had Xerxes not attacked Greece, or ‘Iliad’ and ‘Odyssey’ without the Trojan War. In the near past, and way closer, Pakistani writers made their mark in the literary landscape when everything else was going wrong inside their country. Under the circumstances, one always wondered why Sri Lanka, which saw its own share of blood and carnage for close to three decades, did not come up with quality work in English language. There were a few attempts here and there but a majority of them were written more for the purpose of furthering the “cause”, both among Sinhalese and Tamils, than offering readers a window into the world of common Sri Lankans and their miseries. Nayomi Munaweera’s debut novel, Island of a Thousand Mirrors, does that and then some.
Set in Sri Lanka and spanning almost three generations, Island of a Thousand Mirrors tells the story of two Sinhalese girls and their family’s struggle to remain afloat amidst upheaval. In the parallel runs the story of another girl, a Tamil, whose fate gets entwined with that of the Sinhalese girls in more ways than one.
Written in the style of a bildungsroman, the book traces the journey of Sinhalese sisters Yasodhara and Lanka and in the process weaves a saga of love, betrayal, self-exile and redemption. The story starts with the births of girls’ parents just around the time British decided to leave the island for good. The respective families could not have been more different. While their father, son of a low-caste Ayurveda doctor who successfully changed his surname to bag an upper-caste girl, raised the status of his family by sheer hard work; the family on their mother’s side, a typical aristocrat Brown Sahib household, had fallen on bad times after the sudden demise of the patriarch. And hence the matrimony that could not have even been thought of a couple of years ago, actually materialized.
And while they are at it, the churning in the North begins. The rise of LTTE, the digging in of heels by the Sinhalese dominated government and the meddling by a larger, bullying neighbor in the North had already prepared the concoction of death and destruction. On a more micro level, the unraveling of the fabric is explained through the situation of their Tamil tenants, members of which become the love interest of the Sinhalese girls across the generations. When violence knocks on their door, rather literally, the girls’ family migrates to the United States leaving behind the mayhem, and memories in the process.
Years later, when betrayal and infidelity bring the girls back to where it all started, they also pick up the thread of the Tamil family that was left during the sudden flight.
On the other hand, the story of Saraswathi, a violated Tamil teenager who joins the Tigers, helps readers take a peep inside life in the north and east of the Island. At the end, when their fate entwines, one is left stunned in more ways than one.
Like any great state-of-the-nation novel, one of the strengths of this book lies in the way it seamlessly deals with myriad themes that run parallel to the dominant theme of conflict. In the process, readers not only get a loose idea of how the history of the island has shaped up since the British left it in 1948, but also how a conflict that could have been resolved easily in the initial years, was allowed to fester in order to massage the majority Sinhalese ego.
However, the biggest strength of this book lies in the way the author rises above ethnic biases to present a picture of conflict that is not burdened by the efforts to look good and unblemished. Nayomi Munaweera is clearly from that painfully small school of intellectuals who believe that any long-lasting process of reconciliation must first start with the admission of complicity in crime. There is no tacit, sly effort to sound politically correct. No compulsion to “balance” the narrative of the conflict in a David versus Goliath mismatch. But that not to say that David here is let off the hook. He is also brought to question. But nothing is disproportionate.
Island of a Thousand Mirrors is an inherently honest attempt to put things in the perspective. Having covered the conflict myself and witnessed how divisive and full of visceral hatred the narrative is, I have no doubt that Ms Munaweera will receive more brickbats than bouquets. Especially from the rabid non-residents from both ethnic groups who have successfully hijacked the narrative. But if Ms Munaweera calculated that and yet decided to write this; she sure as hell is prepared for a long haul.
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